Marble statuette of aphrodite anadyomene rising the metropolitan museum of art new york city united states.
Marble statuette of aphrodite anadyomene.
Greek 3rd 2nd century b c.
Most of the figure s weight is on the right leg instead of the left.
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Or roman early imperial 1st century a d.
On view at the met fifth avenue in gallery 162.
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Marble statue of aphrodite anadyomene hair binding.
A marble sculpture of the godess aphrodite 2nd.
E1cwna from alamy s library of millions of high resolution stock photos illustrations and vectors.
Here the stance is reversed.
In this graceful pose aphrodite was represented with both arms raised wringing water from her hair as though she were just emerging from the sea where she was born.
Marble statuette of aphrodite anadyomene rising 1st century a d.
Sometimes thought to derive from a famous painting.
On view at the met fifth avenue in gallery 162.
Greek 3rd 2nd century bc or roman early imperial 1st century ad.
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This artwork is meant to be viewed from right to left.
Greek said to be from rhodes this marble image of aphrodite goddess of love and beauty was originally adorning herself with one arm raised to her hair the other holding some object like a mirror or ointment vase.
Or roman early imperial 1st century a d.
Greek 3rd 2nd century b c.
This aphrodite s arms were originally in a pose very similar to that of the statue of the goddess displayed nearby.
E1cwn9 from alamy s library of millions of high resolution stock photos illustrations and vectors.
Marble statuette of aphrodite anadyomene rising 1st century a d.
Ad a roman copy of a 3 2nd cen.
Marble statuette of aphrodite anadyomene rising type late 2nd century b c.
Marble statue of aphrodite anadyomene hair binding.
Marble statue of aphrodite anadyomene hair binding.
Roman adaptation of a greek work of the 3rd 2nd century b c.